Showing posts with label Mahler. Show all posts
Showing posts with label Mahler. Show all posts

Wednesday, September 1, 2010

Dodger, the Joint-Custody Dog


When a day starts with the New York Times declaring, “Today, record-challenging heat…” no good can come from adding more heat to it. So, I’m eschewing all public and personal reflections for another week and extending the Dog Days.

Just when you think you think you can’t bear to wipe your wet brow one more time, a cooling breeze wafts across your forehead in the form of—what else?—a lovely story. Since Dodger, pictured above, is not shaggy, and his story, so far as we know it, is not long, this is anything but a shaggy dog story. Dodger, rescued from a pound, is a survivor in joint custody.

Adrienne Albert is a contemporary American composer who loved and lost a dog named Mahler. Mahler, a fawn-colored greyhound, used to sit—cross-legged—on Adrienne’s sofa without budging an inch to make room for anyone else on it. We’re not supposed to speak ill of the dead, but I didn’t approve of Mahler’s manners. He could tell, and could be quite surly about it.

Adrienne longed for, more accurately pined for, a new dog. Her neighbor, Stephanie Burns, rescues dogs and finds homes for them. Stephanie, a truly devoted “dog person” in Adrienne’s admiring eyes, found Dodger at the pound, and not a moment too soon, because he was slated to be put down the next day.

Stephanie did what Stephanie habitually does—brought him home with her to place him with a good family. But Dodger, as you will see, has a way with women. After spending just a wee bit of time with him, Stephanie fell in love, so in love she couldn’t bear to part with him. She decided she would keep him.

Stephanie has two other dogs, one she’s unable to find a home for because he, Buster, has a personality disorder, no doubt from being a dog who needed rescuing, the other, a wonderful beagle named Molly.

Scheduled to be away from home for a month and knowing how Adrienne craved another dog, Stephanie asked Adrienne if she would like to take Dodger for part of the time. Would she! In the time it took Adrienne to say “Yes!” twice, she fell in love with him.

In the course of her bliss-time, Adrienne, aware Stephanie was coming home, asked if Dodger could spend the night. (This begins to sound like a French film.) Stephanie, a modern woman, said she’d already sent Adrienne an e-mail to that effect, namely, suggesting they could share Dodger. They assumed Dodger’s swagger-the-tail complicity.

The result: the two women have the doggonedest of all worlds. Joint custody of Dodger. By day, he lives with Adrienne, who composes at home and often goes out at night. By night, he’s Stephanie’s, whose schedule is the reverse. At the beginning of every week, Adrienne sends her 7-day schedule to Stephanie, who comes to pick Dodger up for several hours each day and brings him back before his bedtime, which is substantially earlier than Adrienne’s, but Dodger is either none the wiser or very cool about it. Before long, conversely, when Adrienne will be traveling, Stephanie will be spending more quality daytime with the happily bi-domiciled Dodger.

It’s all in a Dog’s Day and it’s happening in Los Angeles. Stephanie hopes it will spur additional ways for people to adopt dogs. Citing an existing “huge” animal overpopulation problem, she emphasizes, “If people can work out a joint custody situation, then more dogs can be saved.” Now doesn’t that warm your heart and cool your brow at the same time?

Wednesday, March 25, 2009

A Wonderful Town, Installment Two

A man boarded an elevator in a Los Angeles building and chose the button for his floor. Even before the elevator had climbed to the second floor, he pushed the button three more times. A lady on the elevator said, “You must be from New York.”


New York, New York is “A Wonderful Town.” It’s a small town where Adolph Green, co-lyricist with Betty Comden of the song, “Wonderful Town” (not from the show “Wonderful Town” but from “On the Town”—got it?) became a wonderful New York chum. Adolph Green was a Jewish leprechaun to me, “spritely” and mentally mischievous. He was the best “drop-the-needle” player I ever encountered, meaning he could identify a piece of classical music faster (I suspected) than even the composer of “Wonderful Town” and “On the Town,” his collaborator on both shows, Leonard Bernstein. Adolph once sang a movement of Mahler for me (unsolicited) on the corner of 63rd and Central Park West. That’s not likely to happen at Hollywood and Vine.


A tourist from L.A. stops a New Yorker to ask, “Pardon me, could you tell me how to get to Times Square or should I just go fuck myself?”


My friend Herb Graff and I shared passions for New York quirks [see “A Wonderful Town” entry below], New York anecdotes and incomparable New York characters like Adolph Green. Profiled in The New Yorker for being one of the city’s great raconteurs, Herb could break up any room with his punchy, borscht-belt delivery, but when we dined with Adolph, it was Adolph who provided the often-suppressed laughter, often inadvertently. When Adolph typically couldn’t make up his mind—in this instance about what entrée to order—he looked at the next table to see what they were having. But he didn’t stop there. First he praised the way a certain dish looked, then asked what it was and was it good, and then, only faintly commended by the uncomfortable diner, he ordered it.


Herb dined out for years on this one: A man approached Adolph saying, “I’ll bet you don’t remember me.” Adolph screwed up his face and whined, “Don’t make me guess.” According to Herb, Robert Redford, on the town, when asked exactly the same question by a fellow who prefaced it with challenging remarks like “You’re a big man now” and “After all, you’re a star,” and the capper, “We went to school together,” replied, with initial feigned warmth, “I DO remember you! You were an asshole then and you’re an asshole now.”


It is a wonderful town. Herb had two California acquaintances who came to New York, excited because someone had given them, gratis, an unoccupied East Village pad to use. An un-air-conditioned pad. In the dead of August. On their first night here they tossed and turned until dawn in a one-hundred degree chamber until one of them suggested they put on the clothes they’d strewn, piece by piece, from beds to floor and go for a walk to get some air. Ninety degrees outside felt good to them when suddenly, at the crack of dawn, a man came charging down the street toward them… and past them… in a low-cut evening dress and stiletto shoes. These two Californians had never seen such a thing! They couldn’t wait to see Herb to tell him and couldn’t get the words out fast enough. Herb’s reaction? “He was probably late for work.”