Dodger, the Joint-Custody Dog

When a day starts with the New York Times declaring, “Today, record-challenging heat…” no good can come from adding more heat to it. So, I’m eschewing all public and personal reflections for another week and extending the Dog Days.

Just when you think you think you can’t bear to wipe your wet brow one more time, a cooling breeze wafts across your forehead in the form of—what else?—a lovely story. Since Dodger, pictured above, is not shaggy, and his story, so far as we know it, is not long, this is anything but a shaggy dog story. Dodger, rescued from a pound, is a survivor in joint custody.

Adrienne Albert is a contemporary American composer who loved and lost a dog named Mahler. Mahler, a fawn-colored greyhound, used to sit—cross-legged—on Adrienne’s sofa without budging an inch to make room for anyone else on it. We’re not supposed to speak ill of the dead, but I didn’t approve of Mahler’s manners. He could tell, and could be quite surly about it.

Adrienne longed for, more accurately pined for, a new dog. Her neighbor, Stephanie Burns, rescues dogs and finds homes for them. Stephanie, a truly devoted “dog person” in Adrienne’s admiring eyes, found Dodger at the pound, and not a moment too soon, because he was slated to be put down the next day.

Stephanie did what Stephanie habitually does—brought him home with her to place him with a good family. But Dodger, as you will see, has a way with women. After spending just a wee bit of time with him, Stephanie fell in love, so in love she couldn’t bear to part with him. She decided she would keep him.

Stephanie has two other dogs, one she’s unable to find a home for because he, Buster, has a personality disorder, no doubt from being a dog who needed rescuing, the other, a wonderful beagle named Molly.

Scheduled to be away from home for a month and knowing how Adrienne craved another dog, Stephanie asked Adrienne if she would like to take Dodger for part of the time. Would she! In the time it took Adrienne to say “Yes!” twice, she fell in love with him.

In the course of her bliss-time, Adrienne, aware Stephanie was coming home, asked if Dodger could spend the night. (This begins to sound like a French film.) Stephanie, a modern woman, said she’d already sent Adrienne an e-mail to that effect, namely, suggesting they could share Dodger. They assumed Dodger’s swagger-the-tail complicity.

The result: the two women have the doggonedest of all worlds. Joint custody of Dodger. By day, he lives with Adrienne, who composes at home and often goes out at night. By night, he’s Stephanie’s, whose schedule is the reverse. At the beginning of every week, Adrienne sends her 7-day schedule to Stephanie, who comes to pick Dodger up for several hours each day and brings him back before his bedtime, which is substantially earlier than Adrienne’s, but Dodger is either none the wiser or very cool about it. Before long, conversely, when Adrienne will be traveling, Stephanie will be spending more quality daytime with the happily bi-domiciled Dodger.

It’s all in a Dog’s Day and it’s happening in Los Angeles. Stephanie hopes it will spur additional ways for people to adopt dogs. Citing an existing “huge” animal overpopulation problem, she emphasizes, “If people can work out a joint custody situation, then more dogs can be saved.” Now doesn’t that warm your heart and cool your brow at the same time?

Treading the Last Waters of August

In Ancient Rome, the Dog Days extended from July 24 through August 24, still the case, according to Wikipedia, “in many European cultures.” Not many Romans in sight these days, but maybe it’s purely cultural that so many French, Italians and Germans come to New York to suffer weather New Yorkers flee to France and Italy (but not Germany) to avoid.

No one in his or her right mind would have opted for the stifling, roasting summer of 2010 here. If the French had a word for it, it was yuch. On this day after the Dog Days, I recall sweltering in better New York circumstances….

I was ten minutes away from meeting a friend at “Alice's Tea Cup" (one of my two daughters’ three restaurants, I relate with pride) on a late August afternoon when my elevator went dark and came to a standstill. I used the light on my cell phone, its battery already low, to find the alarm on the panel. I hoped to let someone know I was trapped, but the alarm was as dead as the lights and the fan. The air in the elevator grew stifling. I began to peel off one layer of clothing at a time, folding and stacking each new article neatly beside me on the elevator’s leather bench, where I had resignedly seated myself in darkness, envisioning being discovered, eventually, flashlights shining on my dank, naked body. I imagined the woman waiting for me—an Ambassador, to make me feel worse—thinking I’d knavishly stood her up. I mused over a scene from “Sweet Charity” where Charity and her high-strung beau are trapped in a stopped elevator, and he reads a sign that says, “Capacity: 2000 pounds” and, in a panic, cries, “I weigh 163, how much do you weigh?!”

Trying to preserve my battery for an ultimate emergency, I sporadically dialed and finally reached our doorman, just long enough to learn from him that it wasn’t the elevator alone, nor the building, lacking electrical power—it looked like it could be Manhattan’s entire Upper West Side, possibly the East Coast, that was effected. It was more than plausible; I’d been through this East-Coast-blackout-thing before (which reminds me of another, salacious, only-in-New York story I don’t know you well enough to tell—yet.)

Hours later, I heard voices calling to me. My rescue squad had arrived; I didn’t care what took them so long. “Can you find…” and they described two locks or latches on the elevator doors. I used the scintilla of battery power remaining to search, grope… and find them, as the phone-light dimmed and died. Following shouted instructions, I released the contraptions and… is this madness?... opened the doors! Into pitch darkness. “You have to jump,” a voice instructed, adding—sadistically, I thought—“from the elevator.”

Now I have to interrupt myself to tell you that many years ago an actress-friend was downtown at a city building stepping off an elevator when it abruptly moved, and she was cut in half. The memory, when I allow myself to have it, haunts me. “Jump?” “Yes!” Into a black hole. I took a deep breath, braced myself… and, ready to absorb the painful shock that would shoot through my legs when I landed… jumped! And landed softly, immediately, less than a foot below. I stood there stupidly, not knowing what came next. A door opened, the only door on the floor, and a housekeeper stood waiting for me to enter. Sting’s housekeeper. Sting’s apartment. Behind her, an anxious doorman and super. We passed through Sting’s apartment, past his row of mounted guitars—which, I have to say here, I’ve seen in a better light. The rear, service staircase being the only entree by stairs to our apartments at present, I exited Sting’s back door and slowly climbed the five unlit flights to mine—this was so distinctly unglamorous, so mundane now—and knocked at my back door. My wife, Jean, monitoring news of the blackout by portable radio in a kitchen lit dimly by a battery-operated lamp, opened the door, surprised to see me. She had no idea that I had been in our building—been in our elevator—no more than 75 feet away the entire time.